Thursday, March 31, 2011

False Chastity

During a talk last week, I asked Christian college students which was more morally troublesome: a movie, a car, a light bulb, or an apple. True to their upbringing they said with one voice "a movie." They said the things you'd perhaps expect them to say about language, nudity, violence, the erosion of social values, the absence of religion, the treatment of women. They told stories about the ways their parents had protected them from film's negative influence. "For a moment, let's set aside the film," I said. "Let's instead, consider the apple.

"We go to the grocery store and -- believing our bodies to be temples -- we stand in the produce section choosing which fresh fruits to buy. We see apples in broad variety; we buy half a dozen Honey Crisps. Because Honey Crisp apples are not in season in our part of the world in March, carbon monoxide has been pumped into the air on our behalf to ship them from elsewhere on the planet. We have thus weighed the benefits of personal health against creation care and chosen the former.

"We may also have made a decision between stewardship and shalom. We don't just want things that taste good; we also want them for a good price. And cheap apples are cheap because migrant workers seldom get health insurance. Indeed, the cinder block buildings in which they live sometimes don't have heat... or even floors for that matter. Given the Bible's preoccupation with the fate of widows, orphans, and aliens, our apple-purchasing habits are pretty disturbing.

"We're not ignorant. In the back of our minds, we are probably aware of the path our apples take from orchard to table. But we repress this knowledge.

"Now back to the hyper-violent film. Neo, Ahh-nold, or John Wayne (take your pick) spectacularly mows down an army of bad guys. And the director yells 'cut.' And all the extras dust themselves off and stand up. And they collect their paychecks and go home to spouses and children and sweethearts.

"We do understand, don't we, that the film's violence is fantasy? Not even animals were harmed in the making of this film. But our actions in the produce aisle result in real violence, done on our behalf to the planet and to our fellow humans. And yet, we say film is the more morally troublesome consumption."

"And consumption is precisely the problem. Jesus said it's not what goes into a person that makes her nasty; it is rather, what comes out of her. It is what she says, more than what she hears. It is the canvases she paints, more than the galleries she visits. It is what she cooks, more than what she eats. It is the movies she makes, more than the movies she pays to see.

"But because we have accepted that our relationship with the world is largely that of consumer, the church -- especially the Protestant church -- has virtually ignored its mandate to create. Instead, we practice suspicious ingestion (sometimes called "discernment") masquerading as the virtue of Chastity."

We are not chaste. We are fearful.

Everything

The title of last week's address, "Everything You Need to Know About Filmmaking," was chosen on my behalf by members of the Covenant College Film Club. Saying everything that can be said about filmmaking in one hour (to the extent it's even possible) would be like filling a thimble with a fire hose. Panicked by the aimless hopelessness of the task, I thought of a time when folks said to Jesus "Tell us everything." He said, "Okay, here's everything you need to know about the law, everything you need to take home from the prophets: love God. Hard. Hard like 'throwing-yourself-full-speed-against-the-wall hard.' And here's another thing that's kinda like it: Love even the folks you're inclined to hate as if they were your neighbors."

If those two great commandments constitute everything you need to know about life, then maybe everything you need to know about filmmaking is how to love God and neighbor with camera, microphone, and editing software. Easier said than done, of course.

Consider a not-too-recent shoot of a variety show episode. Our musical guest had, the night before her television appearance, suffered an acne outbreak of biblical proportions -- this in our studio's first semester after an $800,000 upgrade to High Definition. Now acne in standard def and acne in high def are two totally different things. My students sensed this and immediately huddled in the control room, asking "how do we use lighting, lenses, and shot size to love our neighbor and tell the truth?"

Many definitions of godly filmmaking are oversimplified contrasts of virtue and vice as regards a movie's content. "A godly movie doesn't have gratuitous sex, violence, or crude language," some might say. But choosing virtue over vice is milk. The acne incident represents a deeper, smarter, meatier faith-walk on the tight rope between one virtue and another.

Such walks are legs on the lifetime journey to "Everything."