If you don’t know silent comedy, then maybe you’ve only heard of
Charlie Chaplin. If you took a Film
Appreciation course in college, you might also know Buster Keaton. But when Safety
Last was released in 1923, Harold Lloyd was by far a bigger star than
either of his better-remembered competitors.
Lloyd’s masterwork follows a Midwestern rube to bustling Los
Angeles. He promises to send for his
naïve fiancée when he makes good. But he
can’t afford married life on the hourly wage of a dry goods clerk. When his manager offers $1000 to anyone who
can dramatically increase the store’s visibility, Lloyd concocts a public event
with his roommate, a “human fly” known for scaling skyscrapers. Only the roommate never quite does his share
of the climbing, leaving Lloyd to navigate twelve stories of obstacles without
a net.
 |
| You're freaking me out, Harold. |
I don’t care that the film is more than ninety years old. I don’t care that the effects are simple
tricks of camera placement and composition.
I only know that’s Lloyd’s brand of thrill comedy twisted me in
knots. I could hardly look at the screen
as Lloyd scaled the DeVore Department Store – but I certainly couldn’t look
away. I was nearly apoplectic by the
time he created one of cinema’s most iconic images, that of the bespectacled
everyman dangling from the hands of a clock.
Even the less perilous scenes were tense with comic anticipation. Gag elements came together, paying off in
ways that seldom seemed contrived.
Crowning the story’s own excellence is a 2013 high-def restoration. Blu-ray is ideally suited to high contrast
stock of the silent era. But it can also
magnify every artifact of dust, hair, wear, and neglect. If you’ve bought the Criterion re-issue (and
why wouldn’t you?), breathe easy; once again, the distributor earns its
reputation with a crisp print that justifies its cost. Buy this one to share with friends.
